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When you want to create sports photographs and portraits with more depth or sense of motion, you should consider adding an element of “space” to the scene. This is done in several ways, but if it is done correctly it can add a whole new factor to the image, and really get a viewer thinking and responding.
So, you have purchased a good digital camera or even a dSLR, and you are wondering how to deal with your memory cards, what sorts of images should be kept or deleted, and what kind of compression you should use when saving images to a memory card. The answer to the first question – how to deal with your memory cards – is: buy as many as you can afford. The reason for that is actually the answer to the second question – what images should be kept and which deleted? All images should be kept.
Landscape photography is a great place to use creativity, and unique perspective, even if presented with a flat or unchallenging image. For example, you are on a road trip, you read the road sign that says “Scenic Overlook”; you pull in, get out the camera, hold it at eye height and take the picture. It is scenic; you shouldn’t have to compose the image, right? Wrong. Photographing landscapes and scenery should be a creative experience, even with a point and shoot camera. Look at the image, analyze it, look at it a different way, climb up on a picnic table or lay down in the grass, and experience the view through your own perspective, then capture that with your camera.
Most people know that lighting is the key in most photographs. If a scene is under lit the subjects are lost; too much light and the scene is washed out; unbalanced light and the effects are lost – most photographs can be greatly affected by light.
There a tremendous number of lenses available for digital photographers today, and for those who specialize in landscape imagery there are nice range of lenses at a good array of prices. A search can yield telephoto zoom lenses, super wide angle lenses and traditional or normal to moderate wide angles.
Street photography is a type of documentary photography that features subjects in candid situations within public places such as streets, parks, beaches, malls, political conventions, and other settings. With a few years of experience and some trial and error, I’m going to share with you what works and what doesn’t about urban street portraiture.
Rivers, waterfalls and gently babbling streams are soothing even in photographs. We are automatically drawn to the contrast of blue and white waters passing through brilliant green landscapes, gentle fields of yellowing grass, or tumbling through grey and green moss covered boulders and rocks. How do you capture water in motion? 



